Dado
1933 (Cetinje (Monténégro)) / 2010 (Pontoise)
Artist's webSite
"I feel like I'm being knocked up like a female by the horror of the world, and I absolutely have to give birth to this. It's very painful, it's not a C-section. I carry it like a burden. Sometimes I cover these painful scenes with a veil of soft colors to soften the violence. I think I have found a formula that fits in two words in correct French to define my painting: aléatoire atroce or atrocious aléatoire." Since his first exhibition in 1958 at the Daniel Cordier Gallery, Dado has never ceased to show in his paintings the repressed part of the human being and the world. Of Yugoslav origin, he has created an "Anti-Museum" Dado in his hometown and represents Montenegro at the Venice Biennale in 2009.
Artist's webSite
"I feel like I'm being knocked up like a female by the horror of the world, and I absolutely have to give birth to this. It's very painful, it's not a C-section. I carry it like a burden. Sometimes I cover these painful scenes with a veil of soft colors to soften the violence. I think I have found a formula that fits in two words in correct French to define my painting: aléatoire atroce or atrocious aléatoire." Since his first exhibition in 1958 at the Daniel Cordier Gallery, Dado has never ceased to show in his paintings the repressed part of the human being and the world. Of Yugoslav origin, he has created an "Anti-Museum" Dado in his hometown and represents Montenegro at the Venice Biennale in 2009.
Artist's exhibitions
Figurations. Un autre art d’aujourd’hui
13/05/2023 - 22/10/2023(Yerres) Maison Caillebotte
Le Mur. Œuvres de la collection Antoine de Galbert
14/06/2014 - 21/09/2014(Paris) La Maison Rouge - Fondation Antoine de Galbert
Matière et Mémoire : la Demeure du Patriarche
19/11/2013 - 25/01/2014(Paris) Galerie Jeanne Jaeger Bucher
Publicité
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Passage du témoin, Cécile Reims & les graveurs du XVe au XXIe siècle, affinités sélectives
25/02/2012 - 28/05/2012(Issoudun) Musée de l'Hospice Saint Roch
Plus d'expositions
